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  Preparasyon pou Libète series, drafts 46-48[all since revised@Workshop,Submit]
« on: August 06, 2010, 10:30:47 AM » by Tom Riordan
46. [submitted]

You raise your face, snarling: 'Comment contenir le nègre?' Contain the black?  
Here's how I did it to you:  I lay like a fresh puddle beckoning
soot to solution and Bombay cats to lap me up. You trotted up
and stepped in, and I—silent, bottomless and elastic—drank your foot
and it dissolved beneath your startled eyes.
                                                              How can you die and yet remain
strong enough to climb streetlights where lunas fail to find satisfaction?
How can I sit and expect to keep love I haven't earned or even
made a case for? You lowered yourself of your own accord but you can't
say why.
             I don't have anything to bring you tonight except this milk,
mint chocolates and dumb veneration—and never did. I can't contain
a single limb. Your other foot sweeps overhead, and the one I tricked
and made plenty of room for is lifting itself back out, to follow.
Libérer les nègres! You've found your opening, and with the light you'll fly.
The way you still sit beside me reading tells me more about you than
all our time unclothed.
                                So much of you I'll never know. I could've run
with you immortally perhaps, a wild horse. Instead it's just goodbye.


47. [submitted]

A young manager, two masked thieves with guns and a safe full of money
is a recipe rich with drama because of what's hidden.
                                                                            If all
three men knew they each had a boy and a girl of about the same age
maybe there's no drama but three proud fathers drinking a beer upstairs
at the bar: the thieves still have guns, the manager's still young and the safe's
full of cash but the guns stay hidden in their clothes and the focus is
on the snapshots of the six beloved children slid out of wallets
slipped out of their back pockets.
                                               Several things hidden at this moment could
worsen the drama but they stay hidden and don't. The young manager
for example hides his racist rant and gets off with a cold-cocking

this time. There's a later episode in his life when the racism slips
on through but instead of getting what he deserves the woman he hurts
forgives him because she had thought pretty much the same thing about him
a week or so earlier but hidden it — so this big makeup sex
thing happened. Reconciliation, she said, is like the collapsing
of a dam. One day,  
she said, there will just be a smooth-flowing river.


48. [revision in Workshop]

But when the blade was sprung up, and brought forth fruit, then appeared the tares also. —Gospel of Matthew


      I am 200 pounds
      all of which the Catholic catechism
      says
is tare:

and when I die
the weight of what I'll take
is zero

until
      the general resurrection
      when my spirit shall be reunited
with the 200 pounds

to either be punished
or rewarded with
      qualities I lack now
      making me subtle, agile, impassible
and bright.

On that glorious day
if I could succeed
in earning it

      I should be attractive to you
      and you
      as my wife
      should be to me.

Although it may seem trivial then
more of those pounds will be muscle
      and fewer fat;
      maybe the penis a little thicker;
      you'd like that.

If it's torment I earn
I'm at a loss
as to why God would bother
      or what exactly He plans
      to do

      because
      I have already known
and lost what I
both tare and soul
most want:

lost hopelessly,
and by my
      own sins of neglect.

      I don't mean getting fat—
      that followed my neglect
of you both tare and soul

as I rolled on
as if there was no judgment
      curdling the milk
      around our hearts
      and blocking passion's blue current.

I don't fear His hell,
think heaven possible again,
believe a thing.
Logged

  Re: Preparasyon pou Libète series [draft 46- ]
« Reply #1 on: August 16, 2010, 07:30:46 AM » by cherylleverette
I've read this one several times before commenting, seeing something new everytime.  I don't see the black as just one type, but could be several, one of them, just darkness.  This is packed with emotion, and you're successful dropping it to the page.  I like the way you've laid it straight up and gutsy on the page.  The relationship values move me the most--the things I identify with--N as a puddle, 'you' stepping into it.  The elastic, bottomless sole.  The three questions are compelling and make a case for passion.  Desire, too, I think, depending on the relationship. 

There are no confusing places in this poem.  All is clear, and to me, no changes need to be made.

Very moving, this one.

cheryl

 
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"I have no intention of explaining how the correspondence which I now offer to the public fell into my hands....The sort of script which is used...can be very easily obtained by anyone who has learned the knack...."~C.S.Lewis

  Re: Preparasyon pou Libète series [draft 46- ]
« Reply #2 on: August 16, 2010, 04:10:37 PM » by Tom Riordan
Cheryl, I moved your reply to the Submitted version at http://www.poetrycircle.com/index.php/topic,19139.0.html
and hope that's okay...Tom
Logged

  Re: Preparasyon pou Libète series [draft 46- ]
« Reply #3 on: August 16, 2010, 04:20:00 PM » by cherylleverette
yes, fine. 
thanks, actually.
didn't know the other one was there, but glad it is.

cheryl


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"I have no intention of explaining how the correspondence which I now offer to the public fell into my hands....The sort of script which is used...can be very easily obtained by anyone who has learned the knack...."~C.S.Lewis

 (Read 595 times) [1]
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